Latika Nehra (b.1991, Jaipur, India) is a visual artist and sculptor, working predominantly in ceramics. Her work is concerned with the dialectics of nature; the natural and the artificial, the given and the created, and their recurrent topological interweaving which, so often hidden by normative connotations, blurs the boundaries of a false dichotomy.
Her work examines the transformative shift of the physical into the digital, revealing a cyclical relationship that shapes both in an ongoing process of mutual creation. Often resembling sci-fi narratives, she contemplates technology’s contribution to our physiology, cognition, and sense of self, as well as examining the desires and limitations that, in turn, shape these environments. Her inquiry is both personal and professional, as it reflects her evolution from designing digital interfaces to embracing old hand-building techniques in the hope to reaffirm the value of the tangible in an increasingly virtual world. She views practical applications, experiments and accidents, as essential to her process for grasping abstract concepts, a tactile dialogue that offers an alignment of the mind, with the body and material.
Latika lives and works in Berlin and regularly travels to India to explore traditional crafts and engage in its contemporary discourse. Latika holds a degree in Visual Design from the National Institute of Design in Ahmedabad, India, and a Master in Integrated Design from Anhalt University Dessau, Germany. Her diverse background enables her to seamlessly integrate art and design, bringing fiction to function and fostering collaborations with architects and designers to expand the immersive potential of her conceptual works.








IGNANT
Imagining The Future Through Clay
Latika Nehra creates objects that invite us into a cosmos where multiple stories intertwine. Ignant visited the ceramist in her Berlin studio to learn how she uses clay to navigate the past and the future.
UM MUSES: LATIKA
What influences can we see in your work?
After many years, it is difficult to separate all the inspirations. Currently, I am understanding the importance of 'speculating futures' through science-fiction and it has allowed a lot of my curiosities and fantasies to play out. You will see!
VOGUE INDIA
They crouch, they twist, they stretch—Lailums one-of-a-kind sculptures are almost anthropomorphic in form, reaching for the hands that hold them, appearing slightly transformed each time you go back for a look.









LOVEBIRDS
Ceramics and pottery are deeply-rooted in our country’s craft ecosystem. Can we expect a collaboration with local artisans at a global level from you?
Latika: The craft scene in India is colossal in scale and depth and is truly complex. I am definitely keen on learning age-old techniques and using local materials. Perhaps, after a few years, when I have exhausted my archetypal concepts and satiated my artistic ego, I will give in to the crafts more sincerely.
VERVE INDIA
“I mostly keep my vessels unglazed because I like raw, grainy textures. I feel it brings out this feeling of being close to the ground, the soil, or to other naturally found surfaces. And since there is nothing shiny or colourful, the form then is most dominant.”